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Thursday, 25 May 2017
Saturday, 29 April 2017
Picking the funny one.
You've either asked this question, or you've been asked it: Where do you get your inspiration from?
In my case, it's both. I love asking this of people as much as I hate answering it myself. Writers, and indeed artists of all kinds, give such great answers. Some say their inspiration comes through dreams. Others say their ideas come to them in a sudden flash, or only at night, and they must keep a notepad by their bed for hasty scribbling. Another writer-friend carries his notebook everywhere he goes and fills the pages with countless ideas and witticisms. I know writers that are inspired by their favourite works of literature.
Whenever people ask me this question (and let's face it, it's not very often, because I don't know many people 😉) I usually say something along the lines of: I sit down and think really, really hard for several hours. Fact is I don't get any ideas unless I'm looking for them. I sit down in front of my computer with a cup of coffee and I stare at the screen and type until something works. It's gruelling, and boring, and I'm often unshaven and half-dressed.
This morning, though, something different happened. I am in the middle of re-reading Harry Potter and the Goblet of Fire for the first time since it released. Harry's just finished his first trial, and it was a pretty gripping scene. The Griffindor common room is alight with celebration. Only I look away from my Kindle for a second and stare out of the window at nothing in particular.
Wouldn't it be good if I paired two of my characters up, I think as I stare out of the window at nothing in particular. (The neighbours probably think I'm a bit weird.) It would certainly cheer her up, and he'd have something to fight for. But then she can't do that thing at the end. If I take it out, well, it would make things easier. And the ending could be funny instead of sad. But dwelling on this character's future draws me inevitably back to her origins in the story, the point at which she enters the narrative. And I end up reworking her entire motivation, her arc, her emotional state. I was previously worried that the opening chapters were too grim, too bleak. No, for that matter, I'm still worried that the whole book is too bleak. This would certainly cheer up Chapter Two, I tell myself happily.
My Kindle screen dims and turns off. The Griffindor common room party temporarily dies down. And I'm still staring. What about the ending, though? That would affect Chapter Seventeen and Chapter Eighteen. I'll have to rework her father's role in the narrative, tweak his motivations a little. Wait, this also totally sheds new light on what happens in the first book. And that reveal - I'm going to have to tweak that too.
It's now been half an hour since I started staring out the window. I'm still shirtless and my coffee has gone cold. What about the ending, though? I'd previously settled on two endings and they contradicted one another. I can't have both. But the answer is obvious. I pick the funny one.
And then the entire structure of the third novel reveals itself to me like a map unfurling.
I should put a shirt on soon.
What was I saying? Oh, yeah. Staring blankly into space for ages without moving is how I get my inspiration. If I'm staring at you, I'm probably not really staring at you, I'm pairing off my characters and generally trying to keep them from dying. At least for a few more chapters.
In my case, it's both. I love asking this of people as much as I hate answering it myself. Writers, and indeed artists of all kinds, give such great answers. Some say their inspiration comes through dreams. Others say their ideas come to them in a sudden flash, or only at night, and they must keep a notepad by their bed for hasty scribbling. Another writer-friend carries his notebook everywhere he goes and fills the pages with countless ideas and witticisms. I know writers that are inspired by their favourite works of literature.
Whenever people ask me this question (and let's face it, it's not very often, because I don't know many people 😉) I usually say something along the lines of: I sit down and think really, really hard for several hours. Fact is I don't get any ideas unless I'm looking for them. I sit down in front of my computer with a cup of coffee and I stare at the screen and type until something works. It's gruelling, and boring, and I'm often unshaven and half-dressed.
This morning, though, something different happened. I am in the middle of re-reading Harry Potter and the Goblet of Fire for the first time since it released. Harry's just finished his first trial, and it was a pretty gripping scene. The Griffindor common room is alight with celebration. Only I look away from my Kindle for a second and stare out of the window at nothing in particular.
Wouldn't it be good if I paired two of my characters up, I think as I stare out of the window at nothing in particular. (The neighbours probably think I'm a bit weird.) It would certainly cheer her up, and he'd have something to fight for. But then she can't do that thing at the end. If I take it out, well, it would make things easier. And the ending could be funny instead of sad. But dwelling on this character's future draws me inevitably back to her origins in the story, the point at which she enters the narrative. And I end up reworking her entire motivation, her arc, her emotional state. I was previously worried that the opening chapters were too grim, too bleak. No, for that matter, I'm still worried that the whole book is too bleak. This would certainly cheer up Chapter Two, I tell myself happily.
My Kindle screen dims and turns off. The Griffindor common room party temporarily dies down. And I'm still staring. What about the ending, though? That would affect Chapter Seventeen and Chapter Eighteen. I'll have to rework her father's role in the narrative, tweak his motivations a little. Wait, this also totally sheds new light on what happens in the first book. And that reveal - I'm going to have to tweak that too.
It's now been half an hour since I started staring out the window. I'm still shirtless and my coffee has gone cold. What about the ending, though? I'd previously settled on two endings and they contradicted one another. I can't have both. But the answer is obvious. I pick the funny one.
And then the entire structure of the third novel reveals itself to me like a map unfurling.
I should put a shirt on soon.
What was I saying? Oh, yeah. Staring blankly into space for ages without moving is how I get my inspiration. If I'm staring at you, I'm probably not really staring at you, I'm pairing off my characters and generally trying to keep them from dying. At least for a few more chapters.
Friday, 31 March 2017
Milestones!
I was chatting with another writer on Twitter when they said they fail more often than not. It got me wondering, what constitutes a creative failure?
Leaving a project unfinished? Writing something that's imperfect? Writing something somebody doesn't like?
The fact is, most people don't even bother to try. So your short story was only 1000 words long? That's 1000 words more creative work than most people have ever attempted. The story isn't as good as it could be? Good - you've already identified where you can improve! And for everyone that may or may not like what you've written? Who cares. Screw them. Seriously.
Do what you love for yourself first, and everyone else second.
Today I've had what I consider a small success. The fourth draft of Bovine Intervention has hit 25,000 words. I'm aiming for the book to be about 100-125k in total, so that's perhaps only 20-25% of the final product. And the fourth draft isn't even going to be the final one...
But hey, I love crossing those big-number finish lines, no matter how marginal they appear. I'm still having doubts about the tone and direction of this book (second-book syndrome?) but I don't even care. Because I'm doing okay, I trust my own judgement, and I will celebrate my trivial successes. And maybe, like, three other people will celebrate with me.
Have a nice weekend, everyone!
Leaving a project unfinished? Writing something that's imperfect? Writing something somebody doesn't like?
 |
| Thankfully NOT one of mine. |
The fact is, most people don't even bother to try. So your short story was only 1000 words long? That's 1000 words more creative work than most people have ever attempted. The story isn't as good as it could be? Good - you've already identified where you can improve! And for everyone that may or may not like what you've written? Who cares. Screw them. Seriously.
Do what you love for yourself first, and everyone else second.
 |
| I need to find out who this guy is. |
Today I've had what I consider a small success. The fourth draft of Bovine Intervention has hit 25,000 words. I'm aiming for the book to be about 100-125k in total, so that's perhaps only 20-25% of the final product. And the fourth draft isn't even going to be the final one...
But hey, I love crossing those big-number finish lines, no matter how marginal they appear. I'm still having doubts about the tone and direction of this book (second-book syndrome?) but I don't even care. Because I'm doing okay, I trust my own judgement, and I will celebrate my trivial successes. And maybe, like, three other people will celebrate with me.
Have a nice weekend, everyone!
Monday, 27 March 2017
Recent Reads!
As the dog needs a bone, as the bird needs to sing, as the cat needs to knock things off the table and stare at you as if it was your fault all along, does the writer need to read. My reading is at best, slow, like how I sip my coffee, and at worst, infrequent, like my exposure to fresh air and sunlight. So when I do read, I like to make sure I'm reading quality material. Here are just a few of the books and series I've been reading this year.
No, not that one. What kind of website do you think this is?! No. This is a darkly-comic dystopia about a far-future society in which people are classed according to their perception of colours. Purples are the upper classes, Reds and Blues fairly common, while the miserable Greys are downtrodden and scorned. It sounds oppressive, but this book was incredibly funny. Everything is described via the Munsell colour system and the book is packed with colourful puns - my favourite being the National Colour employee Matthew Gloss. Its silliness is as detailed as to be weirdly believable, and the story takes some incredible and moving turns as well. Eagerly awaiting the next one.
I loved the first book back in uni, and I enjoyed the Dirk Gently novels too, but I've never read any further in this particular series. Please don't hurt me! I started back at the beginning a few months ago and am now about halfway through Life, The Universe and Everything. It's not something to overthink, I find the details sketchy and the plot almost non-existent. Its strengths lie in Adams' incredible ideas. Highly readable.
As I said on Twitter, this historical novel about a mysterious painting deserves every billboard ad it got. Stunning tale that jumps between two periods in 20th century history, with a few painful connections. Really moving.
Third in Cogman's series about librarian/spy/assassins who jump between parallel worlds. I love the concept and am looking forward to the next one, but book three was a bit of a disappointment because I felt like the author was holding back too much info about the world and its characters. My patience is far from boundless...
Needs no introduction. I'm re-reading them for the first time since they came out when I was still in school. I'm seeing new depths and allusions I never noticed as a young reader and I'm astounded at the clarity and economy of Rowling's narration. A lot of detail in very few words. Currently about to start Goblet.
I've got no idea what this is but I love the covers, the titles and the sample I read. Any fans about? I can't wait to get stuck into this series!
An insight into the contents of my eyeballs right now. If you're a writer and not a regular reader, start today. Really. You'll notice an improvement in your work with every book you read.
 |
| Shades of Grey - Jasper Fforde |
 |
| Hitchhiker's Guide to the Galaxy - Douglas Adams |
 |
| The Muse - Jessie Burton |
 |
| The Burning Page - Genevieve Cogman |
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| Harry Potter - J. K. Rowling |
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| Craft Sequence - Max Gladstone |
An insight into the contents of my eyeballs right now. If you're a writer and not a regular reader, start today. Really. You'll notice an improvement in your work with every book you read.
Saturday, 4 February 2017
February Progress Update
Hey everyone, welcome back. I'm really pleased to announce that the third draft of Bovine Intervention is complete. Bovine Intervention is the full-length sequel to Déjà Moo, due for release in 2018. Why 2018? I've got a lot of edits ahead of me. The novel's only 83,312 words long so far, compared to Déjà Moo's some 130,000. And a third draft hardly compares to an eighth, in the case of Déjà Moo. (Yeah, editing includes more writing.)
For me, the editing process is way more than correcting typos and adding in more jokes. I've got to examine each of my characters' motivations and choices to ensure they're consistent and logical. I've got to remove characters that don't contribute to the narrative and replace them with others that do. Plots will be scrutinised, twists will be analysed and - hopefully - something resembling a fully-functioning novel will rise from the ashes of my successive drafts. And as for the scene in Chapter Seventeen that I didn't *technically* finish writing? Gods help me, it shall be done.
In the meantime, the Lawnmowers, Inc. series isn't going anywhere. Both Déjà Moo and Encore Moo are available to purchase on Kindle in your local territory. And if that's not enough, here's a teaser for Bovine Intervention - the opening paragraph...
Bovine Intervention is due for release in 2018. Check back soon for a synopsis, cover reveal and some Lawnmowers, Inc. short stories focusing on the series' supporting characters. Until then, thanks for reading!
For me, the editing process is way more than correcting typos and adding in more jokes. I've got to examine each of my characters' motivations and choices to ensure they're consistent and logical. I've got to remove characters that don't contribute to the narrative and replace them with others that do. Plots will be scrutinised, twists will be analysed and - hopefully - something resembling a fully-functioning novel will rise from the ashes of my successive drafts. And as for the scene in Chapter Seventeen that I didn't *technically* finish writing? Gods help me, it shall be done.
In the meantime, the Lawnmowers, Inc. series isn't going anywhere. Both Déjà Moo and Encore Moo are available to purchase on Kindle in your local territory. And if that's not enough, here's a teaser for Bovine Intervention - the opening paragraph...
Sahila Kavita Paswan considered herself something of an expert, only nobody would ever find out, because nobody bothered to ask. Sahila wasn’t usually the kind of woman to offer opinions unsolicited, but she hadn’t many choices when it came to social interaction. It wasn’t much of a leap to suppose that someone who worked six eight-hour shifts a week at Aphrodite Records might have been able to tell you the difference between Bloodstone and Stoneblood, but you mightn’t be surprised to learn that very few people actually cared.
For the record, one was nu-metal with a ska twist, while the other was alternative baroque with a hip-hop flavour, but if you asked which was which you’d be met with no more than a quiet tut and an eye-roll. Sahila had no patience with amateurs. She could recite, on request, each of the eighteen number one hits held by the progressive techno group Bernie + the B-Sides – her karaoke staple – and could even advise which Belladonna Printemps album was a collector’s item and which was better served as a coaster. As it happened, she was in the middle of doing exactly this.
Bovine Intervention is due for release in 2018. Check back soon for a synopsis, cover reveal and some Lawnmowers, Inc. short stories focusing on the series' supporting characters. Until then, thanks for reading!
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